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Edgar Degas Study of Kneeling Boy mk206
1860
Pencil and black chalk
22.9x35.6cm
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Edgar Degas Study for the Whold composition of Young Spartans mk206
about 1860-1
Oil on paper mounted on another sheet of long fibred paper
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Edgar Degas Young Spartan Girls mk206
about 1860
Oil on canvas laid down on board
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Edgar Degas Miss La La at the Cirque Fernando mk206
1879
London,National Gallery
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Edgar Degas Miss La La at the Cirque Fernando mk206
1879
Pastel and pencil on paper
46x30cm
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Edgar Degas Preparatory drawing for Miss La La at the cirque Fernando mk206
1879
Pastel on paper
61x47.5cm
London
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Edgar Degas Study of Miss La La at the Cirque Fermando mk206
1879
Oil and pastel on canvas
89x39.5cm
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Edgar Degas At the Cafe Chateauden mk206
about 1869-71
London,National Gallery
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Edgar Degas Notebook sketches mk206
1869-71
Pencil and wash on paper
23.6x19cm
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Edgar Degas Notebook Sketches mk206
about 1869-71
Pencil on paper
19x23.6cm
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Edgar Degas Beach Scene mk206
about 1869-70
London,National Gallery
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Edgar Degas Helene Rouart in her Father-s study mk206
about
1886
Oil on canvas
lined
162.5x121cm
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Edgar Degas Portrait study of Helene Rouart Standing mk206
1886
Pastel and charoal on tan paper
48.9x31.7cm
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Edgar Degas Study of Helene Rouart sitting on the Arm of a Chair mk206
1886
Pencil on paper
16.2x9.8cm
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Edgar Degas Study of Helene Rouart sitting on the Arm of a Chair mk206
1886
Pastel
49x34cm
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Edgar Degas Study of Helene Rouart sitting on the Arm of a Chair MK206
1886
Pastel on pale blue paper
49x34cm
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Edgar Degas Helene Rouart leaning on a chair mk206
1886
Black chalk on paper laid down on board
31.1x20cm
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Edgar Degas Woman at a Window mk206
about 1871-2
London,Courtauld institue of Art Gallery
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Edgar Degas Woman at a window mk206
about 1860
Pencil on paper
5.6x9.7cm
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Edgar Degas Woman at a Window mk206
London,The Samuel Courtauld Trust
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Edgar Degas
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French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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